Oswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZOswaldo GONZALEZ

Category: Mixed Choir a cappella

Mass

20 December 2017
Title: Mass Instrument: Mixed Choir a cappella Date of composition: 1979 Length: 18'30 "(more ...)

Ave Maria

Title: Ave Maria Instruments: Mixed Choir a cappella Date of composition: 1977 Duration: 2 'Ave Maria was written when the author was a student at the School of Music Jose Angel Lamas de Caracas Venezuela in 1977. We can see in this work a very simple and effective voices and harmonic structure movement: in this work a formal and very important aspect of the author's work is anticipated construction. This fundamental aspect will be developed in later works such as: Mass for mixed choir, Sextet No. 3 for woodwinds and strings, Trilce for orchestra, two pieces for Max for soprano and trio of wind instruments and voice Love America for low- baritone and toolkit wind metals. This formal element is (seen at a basic level) in the use of intervallic very close distances between voices or instruments (2 ...