septiembre 19, 2018
El análisis musical ondulatorio:
un enfoque morfológico del análisis musical
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marzo 15, 2018
El análisis ondulatorio y la composición musical
El método de análisis ondulatorio puede ser una herramienta interesante para la composición musical. En el siguiente ejemplo, la trayectoria ondulatoria (ver video más abajo) de la pieza II de las seis piezas para piano opus 19 de A. Schönberg, es utilizada como modelo para la realización de una pieza electrónica basada en sonidos generados por computadora. El modelo-video presentado más abajo, muestra en tiempo real, cada uno de los puntos de la trajectoria ondulatoria de la pieza de Schönberg al mismo tiempo con aquellos generados por la trajectoria de la pieza electrónica, llamada Cenon.
Se puede comprobar en tiempo real, a medida que la pieza transcurre, como la forma de ambas piezas son iguales. Aquí se demuestra cómo —a partir de una forma cualquiera, en este caso la forma de la pieza II de Schönberg— se puede construir una obra nueva.
Es importante recordar que solamente la trajectoria ondulatoria — la forma — de la pieza de piano ha sido utilizada. Las otras estructuras de la pieza de piano, cómo la de las duraciones, dinámicas, etc. no son utilizadas en esta nueva pieza musical.
Modelo para la creación de una nueva pieza
El modelo algorítmico de la pieza II de Seis pequeñas piezas
para piano opus 19 de Arnold Schönbergla trayectoria del modelo es utilizada para la creación de una nueva pieza: Cenon
Las formas (trajectorias ondulatorias) de la segunda pieza para piano del opus 19
de Arnold Shönberg y la de Cenon de Oswaldo González
obra para sonidos generados por computadora
Oswaldo González, Cenon para sonidos generados por computadora
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marzo 13, 2018
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La notación microtemporal:
una contribución a la expansión de la arquitectura
temporal musical
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marzo 12, 2018
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marzo 11, 2018
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marzo 9, 2018
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La música ondulatoria: un sistema de análisis, composición y cognición
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marzo 8, 2018
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